FEATURES
WHERE THE WILD THINGS ARE
By Kent Jones
Spike Jonze takes another excursion into the psyche, and this time it’s child’s play
WILD GRASS
By Amy Taubin
Alain Resnais’s playful celebration of late-life amour fou
ANTICHRIST
By Larry Gross
The devil is a woman in Lars von Trier’s shocking psychodrama
ITALIAN NEOREALISM
By Stuart Klawans
The rise and fall and rise of an indestructible film movement
THE BAADER MEINHOF COMPLEX
By Katja Nicodemus
Thirty years of terrorism on the German big screen
GURU DUTT
By Jacob Levich
The brief but brilliant career of a Bollywood triple threat
DEPARTMENTS
EDITOR’S LETTER
OPENING SHOTS
News, Hot Property: Sion Sono’s Love Exposure, Peep Show, Site-Specifics: World Picture Journal, Fade Out, The Trivial Top 20: Best Acting by Musicial Performers
THE ACCIDENTAL AUTEURIST
Andrew Sarris on Public Enemies
ENCORE
Marcel L’Herbier’s L’Argent by Michael Almereyda
JOURNAL
Beijing by Li Hongyu, translated by Andrew Chan
SOUND & VISION
Apichatpong Weerasethakul by Philip Brophy & Yang Fudong by Chris Chang
OLAF’S WORLD
Ho Tzu Nyen by Olaf Möller
SCREENINGS
Bright Star by Nicola Evans, 35 Shots of Rum by Dave Kehr, The Informant! by Nicolas Rapold, The September Issue by Nathan Lee, The Burning Plain by Melissa Anderson, Defamation by Jennifer Dworkin, The Damned United by Graham Fuller
SHORT TAKES
Bronson by Chris Chang, The Maid by Laura Kern, The Messenger by Laura Kern, 9 by Chris Chang, Paris by Nicolas Rapold, We Live in Public by Nicolas Rapold
HOME MOVIES
Walden by Jesse P. Finnegan
READINGS
Dell Tamblyn on Film, a Sound Art
CLOSING SHOTS
Who’s who at recent Film Society Events
ONLINE EXCLUSIVES
New York, I Love You
By David Zuckerman
