By Paul Attard Critical cinema: the experimental film scholar talks about programming a series with his students, the films he can’t avoid showing first-year undergrads, and what it truly means to “comprehend” cinema
Future picture: festival highlights like The Misconceived, Tycoon, and Chronovisor suggested a new kind of visual storytelling defined by a fluid mix of mediums and methodologies
Portrait galleries: festival highlights like Once Upon a Time in Harlem, I Want Your Sex, and If I Go Will They Miss Me offered a balm for independent art
Family rooms: the Icelandic auteur discusses his latest intimate epic, which follows a separated couple co-parenting their children while navigating life beyond marriage
