Sweet dreams: there is something unsettlingly liminal about the Okinawan artist’s videos, which take place on thresholds like graveyards, fences, and national borders
Land and sea: in his latest, an experimental literary adaptation, the filmmaker continues to blur the lines between performance and reality, past and present, with a uniquely improvised, tactile approach
Locally sourced: this year’s edition of the True/False Film Festival was a haven for principled cinephilia, with highlights including Hu Sanshou’s Resurrection and Francesca Scalisi’s Valentina and the MUOSters
Out with the old: critic Tim Grierson joins FC editors Devika Girish and Clinton Krute to discuss recent offerings Mickey 17, Opus, Misericordia, Eephus, and more
Bite our style: Rungano Nyoni’s On Becoming a Guinea Fowl explores everything from the tragicomedy of survival to the Black feminist refusals of Missy Elliott
Alone again or: Ben Rivers’s latest Bogancloch—a continuation of the British filmmaker’s collaboration with a hermit—is notable for its exquisite play with duration, attention, and the very form of the observational documentary
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