Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
Michael Moore interviewed, Greil Marcus on ’80s culture and cinema, special midsection on character actors, Woody Allen’s Crimes and Misdemeanors, Atom Egoyan interviewed, festival reports, Laurence Olivier, D.W. Griffith, Euzhan Palcy interviewed, Prince and Batman, Kenneth Branagh
Special midsection on cinematography, Vittorio Storaro interviewed, Sven Nykvist interviewed, Norman Jewison’s In Country, Claude Chabrol’s Story of Women, Laurence Olivier, D.W. Griffith, Euzhan Palcy interviewed, up-and-coming Australian filmmakers
Spike Lee's Do the Right Thing, Jim Jarmusch's Mystery Train, Steven Soderbergh's sex, lies, and videotape, Ted Turner's wishlist, David Hockney, Traci Lords and Cry-Baby, Steven Spielberg's Indiana Jones and the Last Crusade, Brian De Palma's Casualties of War, Cannes 1989
Jerry Schatzberg's Reunion, Harold Pinter interviewed, Ray Carney on John Cassavetes, Gena Rowlands, Ben Gazzara interviewed, Alexander Sokurov, Soviet censorship, Ken Russell's The Rainbow, Holly Hunter interviewed, Carl Th. Dreyer
Patrick Duncan’s 84 Charlie Mopic, the Film Society of Lincoln Center honors Bette Davis, special midsection on film’s aesthetic influence on other art forms, Oscar forecast, Tom Hanks interviewed, John Hurt interviewed, Roland Gift profiled, Richard Roud remembered
Harvey Fierstein and Torch Song Trilogy, François Truffaut’s final screenplay La Petite Voleuse, special midsection: ’90s forecast, Vasili Pichul’s Little Vera, Oliver Stone’s Talk Radio, TV’s Manhunt…Live!
