By Nick Pinkerton
“[T]he sullen, impulsive films of James B. Harris have been consistently overlooked and underseen. Genuine B noirs in the purest non-reflexive sense of the word, Harris’s films are inglorious, pipe-dream-beleaguered gutterdives, with the cheap integrity of bygone…
1. L’Argent Robert Bresson, 1983
2. Gertrud Carl Theodor Dreyer, 1964
3. F for Fake Orson Welles, 1975…
1. Bring Me the Head of Alfredo Garcia Sam Peckinpah, 1974
2. Claire’s Knee Eric Rohmer, 1970
3. Faces John Cassavetes, 1968
…
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