Let the Sunshine In, Claire Denis and Juliette Binoche interviews, Cocote and Latin American cinema, Hereditary, Marlene Dietrich, mothers and melodrama, Paul Schrader’s First Reformed, Peter Nestler
The exception rules: the free spirits (and auteurism) of Claire Denis’s Let the Sunshine In, Arnaud Desplechin’s Ismael’s Ghosts, and Mathieu Amalric’s Barbara