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The Film Comment Podcast: The Rep Report #9
By
Nicolas Rapold
August 7, 2019
Brave new world: a series at Film at Lincoln Center looks at America through the eyes of artists born abroad
Dispatch: Karlovy Vary 2019
By
Nick Pinkerton
August 6, 2019
Free at last: old specters returned to haunt this year's edition of the Czech festival
News to Me: NYFF57, Mati Diop, and Toni Morrison
By
Film Comment
August 6, 2019
Beginnings and ends: the return of Pedro Costa, the vagaries of the movie-theater business, and the pleasures of durational cinema
Deep Focus: The Operative and Piranhas
By
Michael Sragow
August 2, 2019
Adapting to the times: two intelligent though uninspired genre movies streamline events that play out more lucidly in their source books
Higher Learning: Chromatic Modernity
By
Sarah Street and Joshua Yumibe
August 2, 2019
Technicolor dreams: our modern sense of color as a standardized commodity is intertwined with the history of cinema
Dispatch: FIDMarseille 2019
By
Christopher Small
August 1, 2019
Truth in fiction: all the notable films at this year’s festival played fast and loose with the outer limits of their fictions
Film of the Week: Tel Aviv on Fire
By
Jonathan Romney
August 1, 2019
Conversational divide: Sameh Zoabi’s comedy engages with questions of history, politics, and cultural difference—and similarity
The Film Comment Podcast: Once Upon a Time… in Hollywood
By
Nicolas Rapold
July 31, 2019
Hanging on the line: on the accomplishments and significance of Tarantino’s latest
Queer & Now & Then: 1975
By
Michael Koresky
July 31, 2019
Cleaning up well:
Saturday Night at the Baths
is part charmingly awkward coming-out narrative, part document of a disappearing culture
Classified: Eco-Horror
By
April Wolfe
July 29, 2019
Natural reactions: cinema’s history of depicting nature as brute force equalizer and death dealer
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