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Film of the Week: Birds of Prey
By
Jonathan Romney
February 7, 2020
Goof troop: the Margot Robbie vehicle serves up the kind of joke-shop bubblegum that comes spiked with hot chili
Present Tense: Nick Nolte
By
Sheila O'Malley
February 6, 2020
Turbulence ahead: there is nothing comforting about Nolte’s characters, men tormented by pain so deep it can’t be acknowledged
See This: February Picks
By
Film Comment
February 6, 2020
Some recent and upcoming films that we feel deserve a little extra attention—brought to you by Warby Parker
Interview: Julia Reichert and Steven Bognar
By
Eric Hynes
February 5, 2020
Working class heroes: the directors of the Oscar-nominated
American Factory
on how class and labor shape and inform us as people
The Film Comment Podcast: Sundance 2020 #7
By
Nicolas Rapold
February 5, 2020
Grand slam: Manohla Dargis and Amy Taubin join for our Sundance wrap-up to discuss
Minari
,
On the Record
,
Never Rarely Sometimes Always
, and more
Feeling Seen: Guys & Dolls
By
Christina Newland
February 4, 2020
Boys will be boys: there are only hustlers and patsies in the world of Joseph L. Mankiewicz’s 1955 musical
Sundance Dispatch: This Is Not a Burial, It’s a Resurrection
By
Devika Girish
February 3, 2020
The great flood: Lemohang Jeremiah Mosese's Sundance-winning feature turns the tragic realities of displacement in Lesotho into a strange, oneiric fable
Interview: Natasha Braier
By
Yonca Talu
February 3, 2020
Darkness and light: the cinematographer of
Honey Boy
and
The Neon Demon
discusses her lenswork
News to Me: Paul Schrader, Guillermo del Toro, and Sky Hopinka
By
James Wham
February 3, 2020
New day rising: Spike Lee, Christian Petzold, and Apichatpong Weerasethakul
Deep Focus: The Rhythm Section
By
Michael Sragow
January 31, 2020
Zero sum: the Blake Lively/Jude Law espionage thriller induces a dreary, exhausting claustrophobia
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