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Interview: Jan Roelfs
By
Yonca Talu
February 14, 2020
Luminous motion: the production designer discusses his long career and work with Peter Greenaway, Sally Potter, and others
The Film Comment Podcast: Marriage Stories #1
By
Nicolas Rapold
February 14, 2020
Close to you: on our new series of podcasts, couples discuss the films that resonate in their relationship
Deep Focus: Downhill
By
Michael Sragow
February 14, 2020
Love on the skids: Julia Louis-Dreyfus possesses the ideal toolkit for this comedy-drama remake of Ruben Östlund’s 2014
Force Majeure
TCM Diary: Robert Krasker, Master of Light
By
Bruce Bennett
February 13, 2020
Shadows and fog: a trio of classics offer a reminder of a great craftsman’s indelible contribution to the art form
Film of the Week: The Cordillera of Dreams
By
Jonathan Romney
February 13, 2020
Tinderbox: Patricio Guzmán’s latest documentary draws connections between Chile’s geography and the country’s troubled history
Queer & Now & Then: 1977 and 2020
By
Michael Koresky
February 12, 2020
Fabulous fascists: that there have been more gay Nazis than gay victims of Nazis on-screen is evidence of our culture’s entrenched homophobia
The Film Comment Podcast: Actors Of Color
By
Nicolas Rapold
February 12, 2020
Industrial strength: our all-star critics panel celebrates the craft of our favorite performers of color from cinema past and present
Interview: Robert Richardson
By
C. Mason Wells
February 10, 2020
Shine a light: the veteran cinematographer discusses his work with Scorsese, Tarantino, Stone, and others
News to Me: Pedro Almodóvar, Angela Schanelec, and the Oscars
By
James Wham
February 10, 2020
Shiny objects: F.X. Feeney, box office bingo, and Adam Sandler
Classified: Writing Black Christmas
By
April Wolfe
February 7, 2020
Be kind, rewind: the writer of the horror remake on why the best retreads must make the case for their existence in the here and now
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