Light work: the Japanese filmmaker’s tireless curiosity allowed him ever new and different angles from which to tackle questions about the singularity of each cinematic moment
Locked in: Gina Telaroli, Inney Prakash, and Steve Macfarlane join to discuss some highlights from the repertory calendar, including series at Anthology Film Archives, MoMA, and Maysles Documentary Center
Blue in the face: the best films at this year’s Locarno—like Helena Wittman’s Human Flowers of Flesh—invited contemplation rather than mere comprehension
