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Foundas on Film: “Snow White and the Huntsman” & “Hemingway & Gellhorn”

By Scott Foundas
June 2, 2012
Sheer laziness isn't the only reason to give into television's cathode call: the best new movies around can’t be found in theaters

Festivals: Migrating Forms

By R. Emmet Sweeney
June 1, 2012
When landscapes attack, and other adventures, at the cinephile-friendly fest

Review: Found Memories

By Matthew Connolly
May 31, 2012
A photographer visiting a small Brazilian village reframes life

Synthesizing Cinema: Tangerine Dream at BAMcinématek

By Margaret Barton-Fumo
May 31, 2012
Celebrating the electronic alchemy of the group’s pulsing soundtracks

Cannes Report: Larry Gross on the Standouts

By Larry Gross
May 30, 2012
Four worlds on film: a quartet of masterly works that truly left their mark

Cannes Review: Michael Haneke’s Amour

By Robert Koehler
May 29, 2012
This year's Palme d'Or winner portrays unconditional love under dire conditions

Cannes Review: Matteo Garrone’s Reality

By Robert Koehler
May 29, 2012
In the festival's controversial Grand Prix winner, a man becomes obsessed with landing a slot on Big Brother

Cannes 2012 Diary: Histoires d’amour

By Scott Foundas
May 27, 2012
Scott Foundas exults in two atypical love stories, Michael Haneke’s Amour and Abbas Kiarostami’s Like Someone in Love

Cannes Market Watch: Approved for Adoption

By Robert Koehler
May 27, 2012
A hybrid movie about a hybrid upbringing: the latest animated documentary has arrived

Cannes Market Watch: The Most Fun You Can Have Dying

By Robert Koehler
May 27, 2012
The lighter side of cancer, in a comedic drama about a college student's festive last days