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Review: Trance

By Emma Myers
April 5, 2013
Danny Boyle's latest remixes mental states and dreamscapes with techno beats

Review: To the Wonder

By Max Nelson
April 4, 2013
What does Terrence Malick want from us? (And how is he asking us?)

Review: André Gregory: Before and After Dinner

By Henry Giardina
April 3, 2013
Cindy Kleine's new documentary is much more than a second helping of My Dinner With André

Interview: Lyubov Arkus

By Max Nelson
April 1, 2013
Critic turned caregiver turned filmmaker: the director of New Directors / New Films pick Anton's Right Here discusses finding new avenues to empathy with her autistic subject

Festivals: Cartagena

By Violet Lucca
April 1, 2013
Sea, sun, and cinema at the 53rd Festival Internacional de Cine de Cartagena de Indias (FICCI)

Review: The Host

By Max Nelson
March 29, 2013
The adaptation of Stephenie Meyer’s alien-invasion novel panders to anxious t(w)eens, but is that so wrong?

Rep Diary: Le Sang and Early Works

By Aaron Light
March 28, 2013
Film as a subversive art: an Amos Vogel-inspired double feature

Interview: Emil Christov

By Jonathan Robbins
March 26, 2013
An informant for the secret police goes rogue in the Bulgarian director’s Cold War fantasia The Color of the Chameleon

Festivals: True/False

By Nicolas Rapold
March 25, 2013
The small, no-coast documentary festival that actually lives up to its hype

Review: Somebody Up There Likes Me

By Jared Eisenstat
March 25, 2013
Bob Byington's latest anti-hero rambles through love, accompanied by Ron Swanson