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Film of the Week: The Last Time I Saw Macao

By Jonathan Romney

September 12, 2013

João Pedro Rodrigues and João Rui Guerra da Mata's team effort plays with Orientalism, saudade, and sexuality

Festivals: Toronto Dispatch One

By Nicolas Rapold

September 12, 2013

The first dispatch from the 2013 Toronto International Film Festival takes a look at two vexing documentaries, The Unknown Known and Tim’s Vermeer

Review: Informant

By Jordan Osterer

September 11, 2013

Sometimes you go so far left, you end up going right: FBI informant Brandon Darby in his own words

Festivals: Telluride

By Emma Myers

September 10, 2013

The 40th installment of Colorado's stalwart festival points the way to 2013's biggest, most prestigious films

Rep Diary: Gabriel & Creation

By Max Nelson

September 9, 2013

Gabriel, Agnes Martin's only film, and Stan Brakhage's Creation get their due at Anthology Film Archives

Festivals: NewFest 2013

By Matthew Connolly

September 5, 2013

Five of the best films showing at NewFest, New York's largest yearly sampling of LBGT cinema

Review: Adore

By Sarah Mankoff

September 5, 2013

Two middle-aged women break a few taboos on sunny shores—mostly because they've got the cash and the looks to do so

Review: Blue Caprice & A Teacher

By David Gregory Lawson

September 4, 2013

Shot in the back: two studies of taboos, one aesthetic

Interview: Brian De Palma

By Margaret Barton-Fumo

September 3, 2013

The master speaks! Exchanging words with the director of Passion

Review: The Last Christeros

By David Gregory Lawson

August 30, 2013

Men of God and the land in post-revolutionary Mexico