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Published by Film at Lincoln Center

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Film of the Week: Captain Phillips

By Jonathan Romney
October 9, 2013
Paul Greengrass and Tom Hanks bring present-tense urgency to the true-life tale of a hijacking

Review: I Used to Be Darker

By Dan Sullivan
October 9, 2013
Matthew Porterfield's enigmatic character study blossoms from the dirt of middle-class banality

Review: Parkland

By Jonathan Robbins
October 3, 2013
Four days in November: a chronicle of the multiple dramas radiating out from the Kennedy assassination

Film of the Week: A Touch of Sin

By Jonathan Romney
October 2, 2013
Four corners: Jia Zhang-ke courts Sino-kitsch and gory wuxia

Interview: Jia Zhang-ke

By Nicolas Rapold
October 2, 2013
The dauntless Chinese fimmaker explains how the wages of capitalism are avenged in A Touch of Sin

Review: All Is Bright

By Sarah Mankoff
October 2, 2013
Two Canadian Christmas tree con-men, in Phil Morrison's new film

Review: We Are What We Are

By Jordan Osterer
September 26, 2013
Man bites man: the American remake of Jorge Michel Grau’s family cannibalism tale

Film of the Week: Rush

By Jonathan Romney
September 26, 2013
Never mind NASCAR, there's life in Ron Howard yet

Review: Don Jon

By Morgan Wilcock
September 26, 2013
Joseph Gordon-Levitt explores the long, dark night of the guido soul

Interview: Harry Dean Stanton and Sophie Huber

By Margaret Barton-Fumo
September 23, 2013
The director and subject of Harry Dean Stanton: Partly Fiction talk music and animals