Trick mirror: The Substance seems inescapably in thrall to the seductive, glossy surfaces of Hollywood beauty standards that it is supposedly skewering
Finest worksong: documentarian Wang Bing discusses his two Cannes entries—the typically expansive Youth (Spring), and Man in Black, a briefer, but equally dense portrait of a composer
After a months-long hiatus, Film Comment is taking the first steps toward bringing the best in film criticism back to the our devoted audience around the world
Nobody does it better: Film Comment’s best of 2018 will be revealed live in a special event on December 11 at the Film Society of Lincoln Center, featuring a roundup by the best critics
