If you build it: a pervading sense of mourning is the most coherent thing about Brady Corbet's The Brutalist, an otherwise largely unfocused and self-important movie
Watch the stars: the photographer and filmmaker discusses his new adaptation of Colson Whitehead's novel, the film’s compelling use of first-person point of view, and his interest in capturing what he calls “adjacent images”
Trick mirror: The Substance seems inescapably in thrall to the seductive, glossy surfaces of Hollywood beauty standards that it is supposedly skewering
Candid camera: this year's festival offered an array of welcome surprises, including highlights like Mike Leigh's Hard Truths, Luca Guadagnino’s Queer, Nicolás Pereda Lázaro at Night, and more
Midnight confessions: the novelist and filmmaker discusses his new noir comedy, which follows a young man who returns to his hometown in the French countryside and finds himself embroiled in an unpredictable (and increasingly dangerous) game of lust
Debris slide: highlights from this year's edition included Brady Corbet's sweeping historical drama The Brutalist, Singaporean director Yeo Siew Hua's surveillance thriller Stranger Eyes, and Alex Ross Perry's prismatic portrait of the iconic ’90s band Pavement
How to save a theater: members of the La Clef Revival collective share key insights from their successful campaign to reopen their beloved Parisian cinema
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