Office culture: director Rodrigo Moreno discusses his NYFF61 standout, a matryoshka doll of a movie, crackling with dry humor, about the drudgery of office work
Be like water: Víctor Erice’s Close Your Eyes and Kleber Mendonça Filho’s Pictures of Ghosts are love letters to cinema that take very different approaches
Earth and sky: the director and cinematographer behind the NYFF61 standout discuss their poetic, evocative portrait of a young woman whose story is inextricably linked to a sense of community and place
Future days: two of the most anticipated films from this year's edition, Bertrand Bonello’s The Beast and Harmony Korine’s AGGRO DR1FT, share a desire to provoke
Out of the fog: the NYFF61 Revivals section features a thematic thread of films about immigration and displacement: Bahram Beyzaie’s The Stranger and the Fog, Tewfik Saleh’s The Dupes, Horace Ové’s Pressure, and more
More please: Arnow’s comedic auto-portrait of a woman adrift in New York City is a moving exploration of romantic and existential indecision, sexual self-expression, humiliation, and the uses of first-person experience in storytelling
Imitation of life: Todd Haynes’s latest, which opens this year's NYFF, rips a tale from the tabloid headlines and turns it into a modern melodrama of desire, deception, and delusion
Out of the blue: highlights from this year’s TIFF include Miko Revereza’s Nowhere Near, Atom Egoyan’s return to form Seven Veils, the murder mystery Reptile, and more
Life during wartime: the great documentarian discusses the making of his epic The Battle of Chile, which bore searing witness to the military coup of September 11, 1973
