Home viewing: the director discusses his latest highly personal documentary, his fascination with home movies, and his decision to withdraw his film from last November’s IDFA in protest of the festival’s response to the war in Gaza
Physical graffiti: Yorgos Lanthimos’s Poor Things, starring Emma Stone as a reanimated dead woman, is a ribald, expertly designed, steampunk vision of feminist wish fulfillment—but is it any more than that?
Worlds apart: the Japanese auteur discusses his Cannes Queer Palm–winner Monster, a clever, multiperspectival drama about the inner world of children that adults cannot—often to great detriment—access or comprehend
Seeing is believing: a clinical approach to sound and spacial construction in Jonathan Glazer’s new film, The Zone of Interest, opens up important questions about the ethical implications of aesthetics
Big plans: the latest from Ridley Scott, trailblazing auteur–turned–late-career journeyman, is an epic biopic of the war-mongering emperor that turns out to be a bit weirder than it initially seems
Perchance to dream: a satire on celebrity and cancel culture, Kristoffer Borgli’s new Nicholas Cage–vehicle, Dream Scenario, treads the thin line between critique and caricature
Material history: Dominik Graf discusses his latest documentary, an investigation of the numerous German writers and artists who collaborated (often quietly) with the Nazi regime
How Soon Is Now? The Killer, David Fincher’s latest entry in the canon of cinema du sociopath is a sleek, meticulously assembled film lives up to its punny tagline: “Execution Is Everything.”
