Long exposures: in the Brazilian city of Belo Horizonte, abandoned cinemas have become parking lots and gyms—but they also live on in the collective sensorial memory
Scenes from the class struggle: a new repertory series at MoMA connects Portugal’s political revolution to a renegotiation of the relationship between documentary and fiction
Time and time again: recent works by Elisabeth Subrin and Zia Anger join a lineage of women’s films that invite us to witness failures and refusal, imbuing them with significance through re-performance
Into the limelight: in settings both grim and glamorous, Sean Baker's Anora repeatedly shows how despair is the bedrock for the false-front distractions of American kitsch
