The Big Screen

March 10, 2020

Director Jan Komasa’s often death-dominated country priest tale is smartly flecked with comedy

March 9, 2020

Director Eliza Hittman’s feeling for adolescence is extremely intuitive, and she is not tempted by melodrama or polemic

March 3, 2020

In Autumn de Wilde’s debut, landscapes flatten into Gainsborough pastorals in a simulation of Regency England

January 28, 2020

Marco Bellocchio’s Sicilian saga unfolds under the looming shadow of mortality, of time running out for aging kingpins, and of debts coming due

January 16, 2020

In her harrowing new feature, Kitty Green details the lives of low-level Hollywood workers and the webs of power and silence they’re often caught in

January 7, 2020

Technical brio cannot redeem all that is callow and crass in Sam Mendes’s “single-take” WWI epic

December 9, 2019

Terrence Malick’s latest is a meditation on the nature of faith, of belief in God even (or especially) in a lunatic world

December 5, 2019

November 27, 2019

Melina Matsoukas’s film is a surprisingly tender tale about two lovers driven toward each other after a fateful police encounter

November 19, 2019

For a political thriller, The Report is more sad than revelatory, more melancholy than cathartic