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Published by Film at Lincoln Center

Reviews

Film of the Week: Blue Ruin

By Jonathan Romney
April 23, 2014
Jeremy Saulnier’s grubby, atmospheric revenge pic follows an unlikely—but persistent—vigilante

Film of the Week: Manakamana

By Jonathan Romney
April 17, 2014
Transit authority: the latest film from the Harvard's Sensory Ethnography Lab gets up close and personal with Nepalese cable-car passengers

Review: Only Lovers Left Alive

By Amy Taubin
April 15, 2014
(Jim Jarmusch, U.K./Germany/U.S., 2013)

Short Takes: Blue Ruin

By Laura Kern
April 14, 2014
(Jeremy Saulnier, U.S., 2013)

Film of the Week: Only Lovers Left Alive

By Jonathan Romney
April 9, 2014
Eternally yours: Jim Jarmusch's globe-trotting, philosophy-referencing vampire flick is just as cool as you'd expect

Film of the Week: Under the Skin

By Jonathan Romney
April 3, 2014
Jonathan Glazer's long-awaited tale of an intergalactic sucubus gives Scarlett Johansson a chance to flex her acting muscles

Review: The Unknown Known

By Jennifer Dworkin
March 24, 2014
(Errol Morris, U.S., 2013)

Short Takes: Under the Skin

By Nicolas Rapold
March 24, 2014
(Jonathan Glazer, U.K., 2013)

Film of the Week: The Missing Picture

By Jonathan Romney
March 20, 2014
Rithy Panh's film about the horrors of the Khmer Rouge has equal elements of art brut, therapy, and poetry

Film of the Week: The Grand Budapest Hotel

By Jonathan Romney
March 12, 2014
Darkness visible: is it okay to enjoy Wes Anderson's latest perfectly packaged concoction? Our weekly critic weighs in.