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Reviews
Review: Life and Nothing More
By
Amy Taubin
October 16, 2018
(Antonio Méndez Esparza, Spain/USA, CFI Releasing, Opening October 24)
Short Take: The Guilty
By
April Wolfe
October 16, 2018
(Gustav Möller, Denmark, Magnolia Pictures, Opening October 19)
Review: A Star Is Born
By
Michael Koresky
October 4, 2018
Evergreen: Bradley Cooper and Lady Gaga compete for the realness prize in the fourth version of the well-known Hollywood tale
Review: Private Life
By
Sheila O'Malley
October 1, 2018
(Tamara Jenkins, USA, Netflix, Opening September 21)
Film of the Week: Mandy
By
Jonathan Romney
September 21, 2018
Smash the looking-glass: Panos Cosmatos's enjoyably gnarly sub-metal freak-out very much wants you to know how strange it is
Deep Focus: The Sisters Brothers
By
Michael Sragow
September 21, 2018
Wild frontiers: Jacques Audiard goes West with John C. Reilly and Joaquin Phoenix and brings back gold
Film of the Week: The Public Image Is Rotten
By
Jonathan Romney
September 14, 2018
Appetite for destruction: a new documentary about the Sex Pistols and Public Image Limited frontman mostly plays the hits
Short Take: Colette
By
Lauren Kaminsky
September 12, 2018
(Wash Westmoreland, UK/USA/Hungary, Bleecker Street, Opening September 21)
Short Take: Can You Ever Forgive Me?
By
Teo Bugbee
September 10, 2018
(Marielle Heller, USA, Fox Searchlight, Opening October 19)
Review: Bisbee ’17
By
Mark Asch
September 4, 2018
(Robert Greene, USA, 4th Row Films, Opening September 5)
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