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Published by Film at Lincoln Center

Reviews

Review: A Star Is Born

By Michael Koresky
October 4, 2018
Evergreen: Bradley Cooper and Lady Gaga compete for the realness prize in the fourth version of the well-known Hollywood tale

Review: Private Life

By Sheila O'Malley
October 1, 2018
(Tamara Jenkins, USA, Netflix, Opening September 21)

Film of the Week: Mandy

By Jonathan Romney
September 21, 2018
Smash the looking-glass: Panos Cosmatos's enjoyably gnarly sub-metal freak-out very much wants you to know how strange it is

Deep Focus: The Sisters Brothers

By Michael Sragow
September 21, 2018
Wild frontiers: Jacques Audiard goes West with John C. Reilly and Joaquin Phoenix and brings back gold

Film of the Week: The Public Image Is Rotten

By Jonathan Romney
September 14, 2018
Appetite for destruction: a new documentary about the Sex Pistols and Public Image Limited frontman mostly plays the hits

Short Take: Colette

By Lauren Kaminsky
September 12, 2018
(Wash Westmoreland, UK/USA/Hungary, Bleecker Street, Opening September 21)

Short Take: Can You Ever Forgive Me?

By Teo Bugbee
September 10, 2018
(Marielle Heller, USA, Fox Searchlight, Opening October 19)

Review: Bisbee ’17

By Mark Asch
September 4, 2018
(Robert Greene, USA, 4th Row Films, Opening September 5)

Review: I Am Not a Witch

By Kelley Dong
September 4, 2018
(Rungano Nyoni, UK/France/Germany, Film Movement, Opening September 7)

Film of the Week: Let the Corpses Tan

By Jonathan Romney
August 30, 2018
Shots fired: Hélène Cattet and Bruno Forzani orchestrate another bravura comic-strip-like exercise in turbo-charged style and retro fetish