Like a prayer: the director of First Reformed and screenwriter of Taxi Driver surveys his career (and shows off his storytelling) at the Film Society of Lincoln Center
When will it end? On the strategies (and effectiveness) of the hard-knock stories in Nadine Labaki’s Capernaüm, Sergei Dvortsevoy’s Ayka, Matteo Garrone’s Dogman, and Vittorio De Sica’s Bicycle Thieves
It’s never just one thing: on David Robert Mitchell’s Under the Silver Lake, Lee Chang-dong’s Burning, Alice Rohrwacher’s Lazzaro felice, Gabriel Abrantes and Daniel Schmidt’s Diamantino, and more
This woman’s work: Amy Taubin and Nicolas Rapold on the “82 women” protest, Jafar Panahi’s Three Faces, Eva Husson’s Girls of the Sun, and more thoughts about Godard
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