Don’t get mad, get even—or, better yet, get your own secret police. That’s what a frustrated informer does in The Color of the Chameleon, a deadpan Cold War satire from Bulgaria. In Emil Christov’s directorial debut,…
“Now you’ll see a real movie,” snaps a haughty actress in The Student after a young production assistant spills hot tea on her. She phones her banker husband, two thugs in suits arrive, and a beating…
Argentine filmmaker Pablo Giorgelli’s debut feature marks an important advance in contemporary neo-neorealist observational cinema through the adoption of a revolutionary new weapon in the directorial arsenal: babies. Just the one, to be precise, but that’s been enough to…
