Be like water: Víctor Erice’s Close Your Eyes and Kleber Mendonça Filho’s Pictures of Ghosts are love letters to cinema that take very different approaches
Work out: representatives of the unions behind the writers’ and actors’ strikes join, along with critic Alissa Wilkinson, to discuss these labor actions
Earth and sky: the director and cinematographer behind the NYFF61 standout discuss their poetic, evocative portrait of a young woman whose story is inextricably linked to a sense of community and place
Future days: two of the most anticipated films from this year's edition, Bertrand Bonello’s The Beast and Harmony Korine’s AGGRO DR1FT, share a desire to provoke
Out of the fog: the NYFF61 Revivals section features a thematic thread of films about immigration and displacement: Bahram Beyzaie’s The Stranger and the Fog, Tewfik Saleh’s The Dupes, Horace Ové’s Pressure, and more
More please: Arnow’s comedic auto-portrait of a woman adrift in New York City is a moving exploration of romantic and existential indecision, sexual self-expression, humiliation, and the uses of first-person experience in storytelling
Imitation of life: Todd Haynes’s latest, which opens this year's NYFF, rips a tale from the tabloid headlines and turns it into a modern melodrama of desire, deception, and delusion
Out of the blue: highlights from this year’s TIFF include Miko Revereza’s Nowhere Near, Atom Egoyan’s return to form Seven Veils, the murder mystery Reptile, and more
Another green world: this year’s edition was refocused on ambitious, idiosyncratic, and auteur-driven films like Yorgos Lanthimos’s Poor Things, Harmony Korine’s AGGRO DR1FT, and Bertand Bonello’s The Beast
