Modern myths: the directors of The Girl and the Spider and What Do We See When We Look at the Sky? discuss their inspirations, aspirations, and the resonances between their whimsical films
In dreams: the Georgian director discusses the method behind the delicate balance of romance, folklore, and social critique in his What Do We See When We Look At The Sky?
I’m looking through you: The common denominator in Ryūsuke Hamaguchi’s Drive My Car and Wheel of Fortune and Fantasy is an acceptance of transience in all things
Family vacation: In Mia Hansen-Løve’s latest, Bergman Island, the Swedish master’s influence offers less inspiration than a strategy for moving through life as an artist
Hands of God: Paul Verhoeven’s latest is an oddly buoyant film that treats its subject—the only nun on record to have a detailed account of sapphic exploits—with sincerity, even reverence
