Birth of tragedy: the search for truth, both personal and historical, is the driving force of Parallel Mothers, Pedro Almodóvar’s most openly political film to date
Modern myths: the directors of The Girl and the Spider and What Do We See When We Look at the Sky? discuss their inspirations, aspirations, and the resonances between their whimsical films
In dreams: the Georgian director discusses the method behind the delicate balance of romance, folklore, and social critique in his What Do We See When We Look At The Sky?
I’m looking through you: The common denominator in Ryūsuke Hamaguchi’s Drive My Car and Wheel of Fortune and Fantasy is an acceptance of transience in all things
