Blue in the face: the best films at this year’s Locarno—like Helena Wittman’s Human Flowers of Flesh—invited contemplation rather than mere comprehension
Explosive imagery: in a live talk recorded at Locarno '22, the Palestinian filmmaker joined to discuss the ways in which his work draws attention to the “camera of the dispossessed”
Looking ahead: the German filmmaker talks about her Locarno standout, Human Flowers of Flesh, and the ways in which her practice is rooted in embodied and communal experiences of time and space
Flickering myth: at a plein air cinema up in the Greek mountains, cine-pilgrims gather every four years for the ongoing premiere of Gregory Markopoulos's Eniaios
