Cinema ’67 Revisited

Cinema ’67 Revisited: The Exterminating Angel

By Mark Harris

August 2, 2017

Up all night to get lucky: Luis Buñuel’s surrealist yarn about aristocrats unable to leave a room is truly timeless

Cinema ’67 Revisited: Up the Down Staircase

By Mark Harris

July 19, 2017

Lesson learned: Sandy Dennis takes names in Robert Mulligan's adaptation of a New York City schoolteacher's novel

Cinema ’67 Revisited: The Dirty Dozen

By Mark Harris

June 28, 2017

Angels with dirty faces: Vietnam commentary by way of that notorious motley crew on a wartime suicide mission

Cinema ’67 Revisited: King of Hearts

By Mark Harris

June 14, 2017

Mad about you: Philippe de Broca’s anti-war cult classic put the inmates in charge of the asylum

Cinema ’67 Revisited: You Only Live Twice and Casino Royale

By Mark Harris

May 31, 2017

Bond unbound: her majesty’s secret service franchise faced the departure of its star, serious imitators, and an over-the-top parody of the genre it pioneered

Cinema ’67 Revisited: The Honey Pot

By Mark Harris

May 17, 2017

Too much but never enough: Joseph Mankiewicz's final film shot for madcap misunderstandings, but ended up drearily droll

Cinema ’67 Revisited: Two for the Road

By Mark Harris

April 26, 2017

Ambivalently yours: Stanley Donen's sweet and sour study of an uncertain marriage is realized with sophistication

Cinema ’67 Revisited: Accident

By Mark Harris

April 12, 2017

Dark hearts: Joseph Losey's formally ambitious, Harold Pinter-scripted puzzle box drama is as unsparing as it is stylish

Cinema ’67 Revisited: Hurry Sundown & Hombre

By Mark Harris

March 29, 2017

Out with the old: two well-meaning flops that lead to better roles (or political activism) for their stars

Cinema ’67 Revisited: A Countess from Hong Kong

By Mark Harris

March 15, 2017

Aristocrats in decline: Chaplin's final film was behind the times before shooting began