Wild Bill: the legendary director of The Exorcist and The French Connection left behind a body of work that can be appreciated both viscerally and intellectually
Smoke gets in your eyes: Robert Altman’s jazz-infused noir finds the late legend Harry Belafonte in a role that slyly inverts his public persona as a committed and compassionate activist
A starry cast does its best to distract from Asghar Farhadi's thematic architecture, but it's as conspicuous as the drones that hover about the proceedings
Feast and famine: the director of A Bread Factory and The Grief of Others talks about his richly conceived works, self-distribution, Tyne Daly, independent film, and more
