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Olaf Möller
Of Human Bondage
By
Olaf Möller
September 5, 2019
Though known for science fiction, Piotr Szulkin increasingly described the way we live now and the persistence of the powers that be
Festivals: Venice 2017
By
Olaf Möller
March 12, 2018
Young lions: the International Critics’ Week section offered stronger work than what was in competition
Festivals: Venice
By
Olaf Möller
December 22, 2016
Punishing the faithless: religion and politics loomed large at the Lido this year
Festivals: Berlin
By
Olaf Möller
April 29, 2016
Signs of life: a new Lav Diaz film led the charge at this year's edition
History Men
By
Olaf Möller
November 4, 2015
Venice’s old guard kept the International Art-House whippersnappers at bay
Lost Horizons
By
Olaf Möller
April 23, 2015
At Berlin this year, you could feel the push and pull between idealism and disillusionment
Harsh Realities
By
Olaf Möller
October 30, 2014
Venice’s boldest filmmakers tackled hard truths—and didn’t flinch
Review: Beloved Sisters
By
Olaf Möller
October 30, 2014
(Dominik Graf, Germany/Austria, 2014)
As Time Goes By
By
Olaf Möller
April 29, 2014
The Berlinale’s standouts looked back into the past and watched the years pass
Apocalypse Rising
By
Olaf Möller
April 23, 2014
Is there light at the end of the tunnel for Austrian director Michael Glawogger?
Festivals: Rome
By
Olaf Möller
December 10, 2013
Springtime in November: the resurgent fest was, generally, a celebration of cinema in all its diversity and genius
A Tale of Two Festivals
By
Olaf Möller
October 28, 2013
Venice’s programming worked in practice but not in theory
Mental Cases
By
Olaf Möller
April 29, 2013
The disturbed, the depressed, and the demented were at large in Berlin this year
Festivals: dOCUMENTA (13), or, The Longest Presence
By
Olaf Möller
September 19, 2012
The infinite, intimate worlds of video art on display in Kassel (and Kabul)
Chris Marker: Ghost World
By
Olaf Möller
July 30, 2012
Japan through the looking glass
Festivals: Berlin 2012
By
Olaf Möller
May 3, 2012
The festival makes a cautious comeback after taking a beating
Unnofficial History: Li Ying
By
Olaf Möller
July 2, 2011
Straddling cultures and cinematic modes, Chinese filmmaker Li Ying has stirred up a hornet’s nest of Japanese nationalism
A Specter Called Knowledge
By
Olaf Möller
June 1, 2011
Venice International Film Festival 2003
Olaf’s World: Nigerian Videofilm Culture
By
Olaf Möller
June 1, 2011
A homegrown hybrid cinema of outrageous schlock from Africa's most populous nation
Online Exclusive: The Necessity of Jesus
By
Olaf Möller
June 1, 2011
Paolo Benvenuti beat Mel Gibson to it:
The Kiss of Judas
(
Il bacio di Giuda
) is one of cinema's most intriguing interpretations of the Nazerene
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