Summer's end: Annie Baker's filmmaking debut locates poetry in the interstices, inviting the viewer to experience the passage of time in company with her characters
Family vacation: In Mia Hansen-Løve’s latest, Bergman Island, the Swedish master’s influence offers less inspiration than a strategy for moving through life as an artist
Now you see it: in Leigh Whannell’s update on H.G. Wells’s novel, the titular monster is liberated from the moral ambivalence of the old Universal antihero archetype
