Boo: premised on illusion and promising endless reanimation, cinema is often called the ghostliest of mediums, haunted by phantoms since its beginnings
Finest worksong: documentarian Wang Bing discusses his two Cannes entries—the typically expansive Youth (Spring), and Man in Black, a briefer, but equally dense portrait of a composer
Time and again: in an excerpt from his new monograph, Tale of Cinema, Dennis Lim grapples with the conceptual challenges of both writing about and programming the films of Hong Sangsoo
