Short Take: The Meyerowitz Stories (New and Selected)

I think I’m doing the best work of my life right now, but that’s just one man’s opinion,” crows the self-centered sculptor played by Dustin Hoffman in Noah Baumbach’s latest survey of fractured family dynamics amid New York creative types. It takes nerve for a writer-director to put those words into the mouth of a character with so little perspective on himself as artist or man, but on the strength of The Meyerowitz Stories, Baumbach might be able to size himself up accordingly, and unironically. The bracing if oppressively acrid wit of mid-career works like Greenberg has merged with the emotional generosity of more recent (and comparatively trifling) comedies like Frances Ha to synthesize his sharpest and tenderest opus since his acknowledged masterpiece, 2005’s The Squid and the Whale.