By Amy Taubin Love less: two of the best scenes of 2024—from Payal Kapadia‘s All We Imagine as Light and Luca Guadagnino’s Queer—depict the push and pull of desire in real time
Ballad of a thin man: critic Lovia Gyarkye and Film Comment‘s Michael Blair join to discuss James Mangold‘s A Complete Unknown, Robert Eggers‘s Nosferatu, and more
Artificial heart: the great American actress discusses her role in the latest from Pedro Almodóvar, which co-stars Tilda Swinton as a dying woman who makes a daring request of an old friend, played brilliantly by Moore
