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Interview: Pedro Costa

By Neil Bahadur on Sep 29, 2014

Saudade on acid (or maybe just morphine): Costa speaks about the final installment of his Fontainhas tetralogy, Horse Money

Interview: David Fincher

By Amy Taubin on Sep 26, 2014

The full online-exclusive Film Comment interview with the director of Gone Girl, Opening Night film of this year’s New York Film Festival

Bombast: Belly

By Nick Pinkerton on Sep 26, 2014

Big pimpin': on Hype Williams's decadent, decade-defining aesthetics

Film of the Week: The Two Faces of January

By Jonathan Romney on Sep 25, 2014

A stylish cosmopolitan thriller that offers more thrills than vintage swagger and Fifties fashion

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Interview: Martín Rejtman

By Violet Lucca on Sep 25, 2014

The director of Two Shots Fired and The Magic Gloves discusses his films and aural fixation

NYFF: The 1968 Edition

By J. Hoberman on Sep 22, 2014

Misspent youth: J. Hoberman's vintage screed about the festival—misspellings included

Rep Diary: The Path of Oil

By Genevieve Yue on Sep 19, 2014

Bernardo Bertolucci's lone foray into documentary traverses many countries and formal conventions with complex results

Film of the Week: Pride

By Jonathan Romney on Sep 18, 2014

Matthew Warchus's pop-powered story of unlikely solidarity between miners and LGBT activists is charming, but never twee

Bombast: Blitz Package

By Nick Pinkerton on Sep 17, 2014

Gods and monsters: football players on the field, the big screen, behind the camera, or caught somewhere in-between

Rep Diary: Two by Richard Linklater

By David Gregory Lawson on Sep 16, 2014

Outsider art: parsing the similarities between It’s Impossible to Learn to Plow by Reading Books and The Newton Boys

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