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Living Cinema: Experimental Film and the Academy

By Genevieve Yue on Nov 24, 2014

On the constantly evolving, complicated business of teaching avant-garde film

Bombast: Carole Eastman

By Nick Pinkerton on Nov 21, 2014

A close look at the all-too brief career of the woman who wrote Five Easy Pieces

Deep Focus: The Hunger Games: Mockingjay—Part 1

By Michael Sragow on Nov 20, 2014

Working-class hero: the first half of The Hunger Games finale is driven by performances rather than explosions

Film of the Week: A Girl Walks Home Alone at Night

By Jonathan Romney on Nov 19, 2014

Out from the shadows: Ana Lily Amirpour's first feature effortlessly mixes Eastern and Western codes to brilliant effect


Fassbinder Diary #1: Rio das Mortes

By Violet Lucca on Nov 18, 2014

The first in a series chronicling the second half of Film Society of Lincoln Center's Fassbinder retrospective

Rep Diary: Tropicália

By Giovanni Vimercati on Nov 17, 2014

Lost in the paradise: revolutionary Brazilian directors Bressane and Sganzerla get their due at MoMA

Film of the Week: Foxcatcher

By Jonathan Romney on Nov 14, 2014

The sporting life: Bennett Miller's true crime story makes some salient points about class amidst the one-percenter eccentricity

Review: Dumb and Dumber To

By R. Emmet Sweeney on Nov 14, 2014

Idiot proof: the Farrelly Brothers revisit their most successful morons with great success

Deep Focus: The Homesman

By Michael Sragow on Nov 13, 2014

The mission: Tommy Lee Jones's Western with Hilary Swank is a story of grit that looks the part, but is it true to all its characters?

Festival: Projections at NYFF

By Irina Leimbacher on Nov 12, 2014

Signs and wonders: a close look at the re-styled avant-garde program in the New York Film Festival

Interview: Robert Drew

By Nicolas Rapold on Nov 10, 2014

The cinema verité pioneer and director of JFK chronicles Primary and Crisis: Behind a Presidential Commitment talks about the making of a method

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From the Archives

Review: World on a Wire

(Rainer Werner Fassbinder, Germany, 1973)

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